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The Top 10 Post “Blood on the Tracks” Bob Dylan Albums: 9. “Empire Burlesque”

Empire Burlesque is one of the stranger albums in Dylan’s career.  It’s full of some great songs, but it’s hard to listen to because of the glossy production. It’s clearly the product of its time, cementing it to the mid-1980s.  It’s one the most star-studded album of Dylan’s career with numerous guests including reggae rhythm legends Sly & Robbie, Mike Campbell and Howie Epstein of Tom Petty and The Heartbreakers, and Ronnie Wood an Mick Taylor of The Rolling Stones.

But don’t let the awful cover and production fool you.  There are some real gems here – “Tight Connection to My Heart (Has Anybody Seen My Love”, “Something’s Burning Baby”, and the stand-out final track, “Dark Eyes”.  Underneath the glossy sheen of the album, Dylan is fine spirits throughout whether he’s spitting out venom in “Seeing You The Real You At Last”, or lamenting the trials of a Vietnam-Vet on “Clean Cut Kid”.  “I’ll Remember You” is one of his most heartfelt ballads since Desire.  The vicious “When The Night Comes Falling From the Sky” loses it some of its lyrical power with its thick groove, and odd synthesizers fills.

“Dark Eyes” is without a doubt the best song on the album.  In an album filled with big production, it ends with Dylan only accompanied by guitar and harmonica.  It’s full on folk, and Dylan gives one of the best vocal performances of the 80s.  It’s a nakedly stark song.  Is this a nod to “Desolation Row” which was the only acoustic song on the electric-fueled “Highway 61”.  You never know with Dylan.

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5 Great British Bands That Go (Mostly) Unnoticed In the US

“Laid” by James just randomly played on my computer and my girlfriend demanded to know why I purchased that “stupid song from American Pie”.   I told her I actually have 5 songs from James.  To the US audience, much like Blur (who’s only stateside hit is “Song 2” aka “Woo hoo!”), James is considered a one-hit wonder.  But in Britain they were part of the Manchester scene (the UK equivalent of the US’ musical 90s Mecca Seattle) and put out a total of 12 albums since 1986.  Not bad for a band that is only known for “one song” in the US.

James and Blur aren’t the only bands to achieve commercial and artistic success in the UK, only to remain relatively unknown in the US.  So here’s my list of 5 great British bands that Americans don’t pay enough attention to.

Joy Division

Another band from Manchester.  Joy Division are perhaps best known for “Love Will Tear Us Apart” which came out after their lead singer Ian Curtis died.  Joy Division are one of rock’s most important bands – they’re practically the inventors of post-punk.  Joy Division were one of the first groups that took punk’s DIY ethics and lo-fi techniques and place the emphasis on mood and atmospherics rather than straight up aggression and anger.

The Smiths

Without a doubt, The Smiths were the most important alternative rock band of the 80s (with the exception of R.E.M.).  Morrissey was a highly intellectual and literate lyricist whose lyrics are most often associated with loneliness and isolation, but he could also be a keen social critic as well (“Panic”, “The Queen is Dead”, and “Sweet and Tender Hooligan”).   Johnny Marr is a widely underrated guitarist, and his ringing chords provided the backdrop for the Smith’s unique take on rock with a pop sensibility.  Stateside, they are probably best known for “How Soon Is Now?” which is a great song, but not representative of their sound.

The Faces

The Faces are probably best known at least in the US as “band that Rod Stewart used to sing with” or “that band that Ronnie Wood was in before he was in The Rolling Stones”.  The Faces songs were sloppy, and dirty much like The Rolling Stones in a certain way.  But while The Rolling Stones became the target of many punk bands for their overblown image, many punk bands often cited the Faces as a direct influence.

The Kinks

The Kinks are probably best remembered in the US for “You Really Got Me”.   Although they normally get placed in with the “British Invasion” wave of the early 60s, The Kinks incorporated pop, country, R&B, folk and blues into their sound.  The riff of The Who’s “I Can’t Explain” is almost a direct rip-off a Kinks song.  The Kinks influence can be heard in the songs of the The Clash, The Ramones, the Jam, and Oasis.

The Clash

To the US audience, the Clash are mostly known for “Should I Stay or I Should I Go?” or “Rock the Casbah”.  But with the dynamic Joe Strummer at the helm, The Clash were one “the CNN of music”.  They were political and intelligent.  And they can could take on almost any musical style and make it their own as witnessed on 1979’s London Calling. If both Eddie Vedder and Bruce Springsteen cover your songs, that should say something about The Clash’s influence.

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