Tag Archives: funk

Music To Listen To This Summer

Each season has their own soundtrack and summer is no exception.  There are numerous albums I listen to in the summer, and find perfect for days when you just can’t seem to cool off.  So here’s my selection of albums to listen to and kick back to.  (Note: I exclude some obvious choices such as Springsteen.)

Elvis CostelloGet Happy!!

Though King of America and Imperial Bedroom might be better albums, Get Happy!! is Costello’s most listenable album from front to back filled with R&B and soul styled songs with a punk twist.  The songs move along at breakneck speed (as do some of the songs) leaving the listener with barely any time to soak in the subtleties. Even when the songs are mean-spirited, the music is sheer fun.  What comes across though is Costello’s melodies and flawless songwriting, making it the perfect soundtrack for a summer day.

Outkast – Speakerboxxx

When Outkast’s double album first came out, most of the press focused on Andre 3000’s half, The Love Below.  As it turns out, Speakerboxxx turns out to be the better of the two, as Big Boi flirts with fast-paced beats, swing and jazz influences and George Clinton-style funk.  And like the rest of the albums on this list, there’s no filler – it’s genre -hopping music that’s perfect for nights with intense heat that never seems to let up.

The Gourds – Blood of the Ram

If you’re outside grilling, and drinking a beer, Blood on the Ram should be an essential addition.  It’s a combination of bluegrass, Band-style Americana, and alt-country.  Each song is a masterpiece in Southern Boogie and sing-alongs.  Songs such as “Do 4 U”,  “Lower 48” and “Cracklins” are designed to get you off your chair and dance.  And if you don’t feel that way, your humanity might come into question.  Plus where else can you sing every single state in the lower 48?

Creedence Clearwater RevivalChronicle

For a long time, I resisted getting this collection because practically every single on this collection is burned into the consciousness of every fan of classic rock.  But song for song, you can’t really ask for a better greatest hits collection.  With a a mix of down home rock and memorable songs, Chronicle feels like a lazy summer day.  And if it’s really hot, let CCR do the hard-work and sweat for you as they tear through their classics.

Al GreenThe Absolute Best

For me, Al Green has the best soul voice anybody’s side of Sam Cooke, and this collection as the title suggests, offers nothing but his best.  There’s straight-up soul classics – “So You’re Leaving”, “Strong as Death (Sweet as Love)”, funk-rock – “I’m a Ram”, “Driving Wheel”, and soul-jam classics – “Look What You For Me”.  Perfect for relaxing, with a strong drink in your hand as the day winds down.

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Albums Worth Revisiting: “Ultraglide in Black” – The Dirtbombs

I wrote about the Dirtbombs a few months back, placing them among my “Top 20 Concerts List“.   Ultraglide In Black, an album consisting of (mostly)  old soul and funk songs – (“Your Love Belongs Under a Rock” is the only original).The album will turn 10 this week, so now is the perfect to write about this under-rated gem.  Like the songs that The Dirtbombs tackle here, Ultraglide in Black is a full-on party album.

The Dirtbombs attack these song with punk furor, but never taking away what made the originals so great and timeless. It would be easy to suggest that The Dirtbombs were trying to put a contemporary spin on these songs, but the album plays more like musicians playing songs they love, because they want to.  With two drummers and two bassists, The Dirtbombs have turned these covers into tightly controlled jams, that lie somewhere between absolute chaos and sheer enthusiasm.  Singer Mick Collin’s voice in an instrument in itself.  He’s clearly in command here, pushing his bandmates as he shouts his way through J.J. Barnes’ “Chains of Love”.  Elsewhere on, “Kung Fu”, he croons in a soulful voice that is more than homage to the music that has clearly inspired him.  Smokey Robinson’s “If You Can What” is a sing-along fury, that nearly flies out of control.  Stevie Wonder’s “Livin’ For The City” is given a slow, fuzzed out treatment, that sounds like a cross between funk and the noisy experiments of the Velvet Underground.

Ultraglide in Black is the sound of a great band deciding for one drunken night that they are the best soul and funk cover band.  And with one listen to the album, you’d be crazy to think otherwise.

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