So I realized that the majority of my posts (okay pretty much all of them) have been guy-centric and perhaps as a bit sexist in my selections. So I plan to remedy that situation with this week’s list. (And this won’t be a half-assed week either, just in case anyone tries to call me out on that.)
To kick things off, I’m going to start with what I think might the ultimate pop-song. And if you don’t believe me – a certain Mr. Brian Wilson lists “Be My Baby” as his all-time favorite song.
“Be My Baby” begins with perhaps the most famous drum intro in popular music. It sounds standard now, but the sound of the song itself was quite revolutionary at the time. “Be My Baby” is Phil Spector’s Wall of Sound at its epitome. Session man Hal Blaine’s thunder-clap drums reinforce Ronnie Spector’s declaration that “we’ll make them turn their heads everywhere we go.”
Ronnie Spector doesn’t have the same control and force in her voice that Darlene Love (another Spector-girl) had. Yet she commands “Be My Baby”. Her voice is sexy and yearning. Spector might be begging for the listener to be her baby, but by the second verse you want to be her baby. “Since the day I saw you, I have been waiting for you,” She coos. And for a moment it seems innocent, but Spector nails the thin between romance and sex in the song And there’s no denying the “oooh-oooh” at the end of the song. I’ve always loved the violin break in the middle of the song. It seems to add tension in the song – and it just thickens Spector’s Wall of Sound Production.
John Lennon’s “interesting” cover of “Be My Baby”
The Ronettes performing “Be My Baby”: (Sound quality is kind of iffy):